Welcome to the fourth edition of The Pulse -- The State of the Art -- a survey in words and pictures of the online artist community. The Pulse is a collaborative project that aims to introduce you to new artists, help you get to know familiar faces even more, and allow you access into the creative hearts and minds of a very talented crew of individuals.
Over 150 (!) artists have answered a series of questions which make up The Pulse. Their responses will be presented as a series of online and print projects. And the first begins right now!
Beginning today, join the The Altered Page every Sunday for "Secret Sunday." Here the secrets of all your favorite artists will be revealed. It could be a technique, a product, a secret source, a little-known website, a hidden shop, an inspiration, just about anything!
Today's secret.......techniques!
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Alicia Caudle
Altered Bits
Altered Bits' Altered Blog
Digit 13's Altered Bits on Etsy
Many people who know me are aware of my huge allergies to all things chemical and/or unnatural. As such, I have come up with many unique ways to texture, rust, crackle, adhere and distress my projects in a non-toxic manner. For example, rather than using chemical patinas, a safe (but obviously slower) alternative is a vinegar, salt and water solution spritzed over the item(s) you wish to rust or patina. This is particularly beneficial when you place your items in a container of salt and vinegar potato chips. The results are generally a brilliant green, blue or red, depending upon the type of metal you are wishing to age.
I welcome anyone who wishes to find a non-toxic alternative to contact me if desired as I'll oftentimes be able to make a suitable suggestion.
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Marianne
Marianne's Art Blog
Boise Trail Dog Blog
Elmer's caulk & apollo transparency transfers- for me, this technique provides the cleanest, clearest transfers to many surfaces- metal, glass, plexi, canvas, wood... email Marianne at dswissy@yahoo.com for more info on how to!
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Ange
Signed by Ange
I love masking and even writing with drawing gum and 'writing' with narrow glass syringes (minus the needles), a technique made famous by Denise Lach. Using unconventional objects to write with is a favourite occupation.
Taking a gex sponge or fine steel wool and scrubbing out layers of paint to avoid using chemicals - particularly effective on wood and metal but NOT on paper...as I'm sure you can imagine!
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Lynne Hoppe
heART & LIFE
Lynne Hoppe shop
I think that my favorite 'secret' these days is how well oil pastels and colored pencils work together. Between the two of them you can color everything from the tiniest parts of your drawings to the largest. You can combine colors from each, and blend them or not. They're very simple to use and hugely satisfying.
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Don Madden
Fully Flummoxed
Roll a Selectric typewriter ball on a clay surface to make random letters.
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Gillian McMurray
Gillian McMurray: Artist & Craftperson
When doing a detailed drawing with graphite, instead of starting to shade with the harder, lighter grades of pencil (H grades) working your way to the darker shades, start with the softer, darker shades (B grades) and work up to the lighter shades. That way you burnish the softer graphite into the surface of the paper with the harder grades. You can make darker shading and build depth with this method. This is ideal for shaded areas like the dark areas between undergrowth or the pupil of eyes.
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Mary Hunt
Working Projects
Mary Hunt Studio on Etsy
When soldering with lead...touch the iron TO the foil as you solder...don't hover. The heat setting is the most important part of having smooth solderlines and the heat is also imperative to control when scultping with lead...be it leaded or lead free.
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Jane Royal
Painted Heart Studio
Warm-up technique for watercolor painting: Take a large sheet of watercolor paper and mark off six 5" x 7" rectangles. Choose a 'subject' to paint. Paint the subject 6 times working quickly and altering your technique, colors, and approach each time. Do not think about it! Limit is 4 minutes per rectangle. The results don't matter b/c they are just a warm-up exercise (this takes the pressure off). It's a great way to discover new techniques, color schemes, etc.
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Shirley Ende-Saxe
In the Name of Art
Ohio Collage Society News
Glazes, acrylic glazes, I love the way it layers, reveals and hides just a little.
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Marie Dante
Cinnamon Studio
I use a good art magazine paper like Communication Arts in my printer. I print photos of my art work over text or whatever & have come up with images that look like transfers and some really surprising and serendipitous results.
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**If you have left a comment on one of my previous posts asking to be a part of The Pulse and have not yet heard back from me, it is because I do not have your email address. Please email me directly so I can send you the information you need to participate. And if you have not yet commented and are now interested in being a part of The Pulse, it is not too late. You have until November 30 to join.
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